|Mario Verandi is an argentinean-born composer, musician and sound artist living in Berlin. With an extensive and remarkable artistic career his work focus on the use of new technologies as an aid to exploring sound, space and perception. His most recent ambient/electronic music project culminated with the release of his album entitled “Remansum”. Mario Verandi´s output is wide-ranging and include electroacoustic compositions, sound installations, live performances, music for dance, radioart pieces as well as collaborations with several musician and artists.
His works have received prizes and awards in the Prix Ars Electronica Awards (Linz), European Bell Days Composition Prize (ZKM, Karlsruhe), Bourges International Electroacoustic Music Competition (France), Stockholm Electronic Art Awards (Sweden), Musica Nova Competition (Prague), CIEJ Electronic Music Awards (Barcelona) and SGAE Electroacoustic Music Competition (Spain). His work is included in the Essex Collection of Latin American Art.
Mario Verandis works have been performed worldwide in events such as Multiphonies GRM (Paris), Donaueschinger Musiktage (Germany), Kontakte Berlin, MaerzMusik (Berlin), Open House Contemporary Argentine Art Exhibition (London), International Poetry Festival (Berlin), Inventionen (Berlin), iscm World Music Days (Manchester), Interactive Futures (Canada), Festival Futura (France), Festival Musica (Strasbourg), Ciclo de Música Contémporanea Teatro San Martín (Buenos Aires), State of the Nation (London), Rumours Concerts (Birmingham, UK), Logos Concerts (Belgium), Música Viva Festival (Portugal) and Stockholm Electronic Music Festival.
He was artist-in-residence at the TONSPUR-Q21 (MuseumsQuartier Wien) in Vienna, Studio for Electroacoustic Music at the Academy of the Arts in Berlin, La Muse en Circuit (Paris), Césaré studio de création musicale (Reims), TU-Electronic Music Studios Berlin, ZKM (Center for Art and Media Technology, Karlsruhe ), artists-in-berlin program of the DAAD and at the Gabinete de música electroacústica de Cuenca GME (Spain). In addition, he was selected to participate in the 1998 International Course for Professional Composers and Choreographers at Bretton Hall University (UK), the 1999 Music Theater Workshop at the Theater Royal Stratford East (London) and in the 1996 “Exchange” for Professional Composers and Choreographers at the Royal Festival Hall (London).
He has worked among others with the Neuen Vocalsolisten Stuttgart, Lautten Compagney (Berlin), poet Monika Rinck, visual artist Catherine Ferguson, choreographer Helge Musial, theater director Grazyna Kania, film-maker Harun Farocki, visual artists Corinna Rosteck and Lillevan as well as with a number of musicians: Sebastian Selke (Ceeys), Dina Bolschakova, Theo Nabicht, Andrea Neumann, Nora Thiele, Sidney Corbett, John Eckhard, Jefrrey Bossin, Seth Josel, Jonas Kocher …
Mario Verandi studied music at the Music School of the Rosario National University in Argentina. His main teachers were Dante Grela (composition), Aldo Antognazzi (piano), Marta Varela (ear training) and Carlos Castro (argentinean folklore music). At the same time he played piano and keyboards in groups of different styles such as pop, folk, tango and experimental. In 1986 he moved to Barcelona and studied with Gabriel Brncic and Xavier Serra at the Phonos Electroacoustic Music Studios. In 1991 he moved to London and continued his studies with Jonty Harrison at the University of Birmingham (UK) where he completed a Master and a Doctor degree in Electroacoustic music. During that time he was a member of BEAST (Birmingham ElectroAcoustic Sound Theatre). In addition, he carried out studies in master classes and workshops with Luc Ferrari, Kevin Volans,Trevor Wishart and Javier Àlvarez. In 2000 he moved to Berlin after being awarded a fellowship to take part in the prestigious artists-in-berlin residence programme of the DAAD (German Academic Exchange Service). He has given courses and lectures in music institutions in Europe, USA and LatinAmerica and in 2003-2004 was guest lecturer at the musicology department of the Berlin Free University.
All works © SGAE, Mario Verandi