An album with eight tracks of experimental electronic music created entirely with the historic Buchla 100 series, an extraordinary modular analog synthesizer from early 1960´s available at the Ernst Krenek Forum in Krems, Austria. During an artist-in residency program, Mario Verandi explored the endless sound possibilities of this rare and extraordinary instrument.
Artwork by Juliana Herrero
CD 15,00 EUR / DL (44/24)
shipping cost included

“Mario Verandi’s music goes beyond music. It’s electronic. It’s also theater, dance, sound art, film, radio. In fact, Verandi has such a strong sense of dramatic personality, and his music is so evocative, that you’ll find yourself in a musical theater. You’ll hear percussion instruments from Brazil. You’ll hear the sounds of Barcelona, with its street bustle, guitars, and rhythms, in your living room. He evokes a kind of flamenco that you’ll rarely hear, with suggestions of guitars, the dancing and tapping of many shoes, the chanting and singing … and uses it to set his musical stage for Lorca’s ‘Blood Wedding’. And there’s a playful side to his music as he plays with the sounds of paper and cloth, glass, leaves, plastic bottles. All the world’s his stage.” EMF Media (Electronic Music Foundation), New York, 2001.
Titles: Evil Fruit / Fréquences de Barcelone / Figuras Flamencas / Heartbreaker / Faces and Intensities / Plastic Water
Review Computer Music Journal, Winter 2005 Vol.29. read>>
CD 8,00 Euros